Sillu Karuppatti Movie Synopsis: An anthology of 4 romantic tales throughout 4 age teams related by that magical thread referred to as love!
Sillu Karuppatti Movie Review: “We like only a few things in each other, yet we believe we love a person whole-heartedly. That make-believe factor is love,” says a personality in Sillu Karuppatti, Halitha Shameem’s great anthology that provides us 4 tales – two every earlier than and after the interval – throughout 4 age teams all related by that magical thread referred to as love. This specific line seems within the second episode – and the movie’s greatest one, titled Kaaka Kadi, which is all about how this character, Madhu (Nivedhitha Sathish), who admits she doesn’t have a romantic bone finally ends up falling for Mukilan (Manikandan), a part-time meme creator, who has simply found that he has testicular most cancers. They meet as passengers ride-sharing a cab, and steadily open up to one another, discussing the whole lot from like to pornography, and Madhu finally ends up giving the heartbroken Mukilan hope (actually) and coronary heart (metaphorically)!
In the opening story, Pink Bag, love connects a ragpicker and a wealthy woman. Maanja (Rahul), the teenaged ragpicker, begins to crush on Mity (Sara Arjun), a woman from a rich family, after stumbling upon her picture within the rubbish from her residence. Soon, he begins to gather knicknacks from her rubbish on a regular basis – a seemingly damaged Walkman that has a recording of her tune (she is an aspiring musician), a hoop that holds emotional worth. But given their class distinction, can he muscle up braveness to present these again to her? And will she be capable to see his ‘love’? The leisurely pacing and the uncooked performances do make this movie considerably uneven, however the sincerity within the storytelling makes it work.
Meanwhile, in Turtles, essentially the most filmi of the 4 movies, two folks of their autumnal years realise they can’t reside with out the opposite. Navaneethan (Kravmaga Sreeram) spots Yashoda (Leela Samson) taking part in at a park and is immediately smitten by her. He is a widower whereas she is a spinster. They get acquainted on the hospital – they’re present process a grasp well being check-up – and open up to one another about their respective lives over a turtle stroll. While they haven’t any drawback starting a dialog, not like children who’ve fallen in love, the doubts that crop up are roughly related – does he/she actually love me?; the right way to discover your lover when you don’t have any clue of her whereabouts; …
And within the remaining and even-handed movie, Hey Ammu!, a “stamp kuthina boring couple” rediscovers ardour after 12 years into their marriage when love has all however gotten misplaced within the mundanities of on a regular basis life. The husband, Dhanapal (Samuthirakani) has no time for his spouse, Amudhini (Sunainaa) and her wants, each bodily and emotional – although he does appear to be an excellent father to his children. Even on the subject of intercourse, he asks her for it, although he’s respectable sufficient so as to add that he’d perceive if his spouse is drained. He isn’t precisely a jerk, however an everyday man with a way of male entitlement who doesn’t realise he’s appearing like one. When Amudhini complains that he barely notices her – when different males praise her on her new coiffure – he shoots again that he’s going bald however she, too, hasn’t been giving that any discover. And when Amudhini she reaches the tip of her tether along with his uncaring perspective, he tries to compensate by gifting her a digital assistant – hoping that she’d go away him alone as she now has somebody to talk to! How does this new entrant allow the couple to find out about one another and result in concord of their relationship?
Sillu Karuppatti is so lovingly crafted with endearing performances, aesthetic visuals (although 4 cinematographers have labored on it, the movie does a tremendous job in retaining the visible tone constant) and emotive music (by Pradeep Kumar) that fantastically complement the perceptive writing. “Look around, there’s love everywhere,” says Mukilan to Madhu, and that appears to be what the director appears to have accomplished. Through the 4 tales, Halitha tries to outline what love means at totally different levels of our lives – throughout adolescence, it’s unconditional and unrequited; as twenty-somethings, it’s a mixture of the bodily and the emotional; throughout middle-age, it means intimacy whereas on the fag finish of our lives, it stands for companionship. And she succeeds in model by giving us a feel-good movie that leaves us smiling – and in addition feeling.