Sarvam Thaala Mayam Movie Synopsis: A mridangam maker’s son, who aspires to study the instrument from a maestro and develop into a mridangam participant, has to cross social and private limitations to achieve his purpose.
Sarvam Thaala Mayam Movie Review: In an early scene in Sarvam Thaala Mayam, Johnson (Kumaravel), a mridangam maker, tells his son Peter (GV Prakash Kumar), who has began to entertain notions of changing into a participant by studying below the maestro Vembu Iyer (Nedumudi Venu), that doorways will shut on his face if he ever tries to pursue his daydream additional. “I will break open the doors if I have to,” Peter retorts.
Very quickly, we see Peter standing on the gates of Vembu Iyer’s residence. But as Johnson had predicted the gate is shut the second Mani (Vineeth), Vembu’s disciple and assistant, hears that Peter has include the hope of studying from his guru. Peter doesn’t smash open the gate, as he boasted, however ensures that the maestro will get a glimpse of his potential. But Vembu is a traditionalist to a fault. He can’t think about that an individual with the social standing of Peter can study the intricacies of taking part in the mridangam. However, with sheer doggedness, the teenager manages to persuade the veteran to offer him an opportunity. The gate is lastly open for Peter, actually! But each guru and sishya have their very own inside and exterior battles to combat, particularly with Mani plotting to break each their lives and popularity.
Returning to the director’s chair after 18 years, Rajiv Menon provides us a movie that’s extremely topical. Like final yr’s Pariyerum Perumal, it talks about caste, however with out pointing fingers. At the identical time, it will get throughout its message of inclusivity and meritocracy. The narrative is fleet-footed and doesn’t let the seriousness of its themes weigh the movie down. And the movie is refreshingly visible, regardless of being a drama. The gates of Vembu Iyer’s home develop into literal illustration of the central battle. In one scene, Rajiv Menon movies Peter from an the other way up angle to convey the truth that the whole transformation of the character. And in one other, a rudraksha that Vembu Iyer provides to Peter acts as a visible metaphor for information switch. Rather than dialogues, visuals are used to indicate caste.
The naturalistic performances solely improve its enchantment. While each actor feels good, Nedumudi Venu towers over all of them along with his commanding efficiency which makes us empathise with a flawed genius like Vembu Iyer. The handheld pictures (Ravi Yadav is the cinematographer), AR Rahman’s minimalist rating and the sync sound mix to offer the movie a contact of intimacy.
And because of this a few of narrative choices within the second half come throughout as mere contrivances. The romance between Peter and Sarah (Aparna Balamurali), regardless of its progressive method in direction of pre-marital intercourse, appears shoehorned in; the use a cross-country journey as a method to tell us of a personality’s inside development seems like a cliche; and most significantly, using a actuality present as a method to amp up the drama.