Magalir Mattum Review: Magalir Mattum begins in 1978, after we see three ladies — Gomatha, Rani Amirthakumari (Shobana Karthikeyan) and Subbulakshmi (Nivedhithaa Sathish) — sneaking out to look at a film, all of the whereas debating if it’s a Rajini movie or a Kamal movie (it’s each, for the film is Aval Appadithaan).
The motion then abruptly cuts to the current, to Gomatha (Urvashi). Her husband is not any extra, and her son Surendar (Madhavan, in a cameo) works in Qatar, whereas she lives together with his girlfriend-fiancé, Prabha (Jyotika), a documentary filmmaker.
Prabha is intrigued by Gomatha’s reminiscences of her long-separated school associates. As in Pa. Pandi, it’s Facebook that helps hint long-lost people.
Rani (Bhanupriya) is now in Agra, and her husband (Nasser) and son (Pavel Navageethan) are politicians hoping to win an upcoming native physique election. Subbu (Saranya Ponvannan), a beautician, is in a loveless marriage with Mangalamoorthi (Livingston), who nonetheless pines for a lover from his previous.
And Prabha plans a reunion for the three by approach of a three-day journey…
Feminist, filmi and feel-good, that’s Magalir Mattum. The movie by no means shies away from carrying its feminist credentials and repeatedly factors out how girls and their desires get trapped within the “maayajaala jail” referred to as marriage. We first see this spelt out within the type of a housewife’s rant in Prabha’s documentary (titled The Great Indian Housewives). And we hold getting the ‘message’ within the type of Subbu and Rani. But that is additionally the place the movie is on shaky floor. The males in Magalir Mattum are conveniently much less outlined. Like 36 Vayadhinile, this movie, too, is content material to indicate males who deal with their wives and moms as servants to drive residence the purpose that ladies deserve higher.
It additionally creates an impression that it is just the sooner era of ladies that confronted problems with discrimination and this era has it fairly good, if you’re to go by the character of Prabha, who’s just about an unbiased lady. And this feels fairly deceptive. More than being a personality, Prabha looks like a catalyst — a storytelling gadget. We don’t actually get an perception into her. “Manasukku pudichavana kalyanam pannanum, manasukku pudichavan kooda vaazhanum. Adhu dhaan real liberation,” Prabha says at one level, and it seems like a relatively simplistic defining of the views of this important character.
The movie’s set-up is kind of filmi, extra Hollywood indie film than rooted drama. The movie doesn’t care a lot for realism, in contrast to Bramma’s earlier effort, the hard-hitting Kuttram Kadithal, and stays content material with amusing us. Not that there’s something incorrect in a film aspiring to be a wish-fulfillment fantasy, however the plot factors listed below are considerably predictable — a son who realises how badly he has been treating his mom, a husband who lastly admits that his spouse deserves higher, flashbacks to indicate us the friendship that existed between the three girls…
Still, the feel-good think about Magalir Mattum overrides many of those niggles. The movie manages to stroll a effective center floor between lecturing and exhibiting us the inequality that exists in our society. It can also be not blatantly manipulative, and the emotional moments present us that its coronary heart is in the appropriate place (Ghibran’s punchy songs and rating retains letting us know that the intention is to have a good time girls). The actors are all endearing, and the chemistry between the three senior actresses particularly (their characters mirror the onscreen personas now we have come to affiliate with them) simply conveys that they may have been thick associates previously. And Jyotika, who seems youthful, by no means oversells Prabha. Both she and Bramma realise that the actual protagonists listed below are the three girls and hold Prabha from dominating the movie. In one scene, Rani remarks that she hoped that she would no less than be a supporting character in her personal story, however that was to not be. However, Jyotika and Bramma present that it’s doable for each lady to be a heroine! This can also be their largest achievement.
Tamil Movie Magalir Mattum 2017 Download Overview
|Full Movie Name:||Magalir Mattum 2017 Indian Movie|
|Movie Genres:||Action, Romantic|
|Movie Release Year:||2017|
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